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For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.
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2026
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古蜀文明，勇于创新、兼容并蓄，是中华文明多元一体格局中不可或缺的组成部分。 然而，至今古蜀文明还存在诸多未解之谜，如何将这些已知和未知的瞬间，为观者建构一个立体的“古蜀世界”，进而引发人们对璀璨中华文明深度的理解和思考，即为本项目创作的初衷。
本片将全面展示和梳理古蜀文明的前世今生，凸显其在中华文明多元一体格局下的独特魅力。
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2025
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《鲁豫有约一日行》以创新的“一日陪伴“为核心模式，主持人深入嘉宾的日常生活空间与工作场景，通过长时间的沉浸式跟拍与体验，在真实情境中展开深度对话。镜头跟随嘉宾回到其熟悉的家中、成长地或具有纪念意义的工作场所，主持人参与其日常活动或重温过往经历，在自然互动中捕捉细节，生动展现人物性格与生活哲学。深度个性挖掘。着力刻画公众人物台前光环与幕后真实之间的立体形象，通过坦诚交流人生起伏时刻的心路历程，揭示其独特的价值观与处世智慧。精心选取嘉宾故事中体现坚韧不拔、质朴勤俭、敬业执着等中华传统美德的具体事例，如对挫折的
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